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Opéra national de Paris 2020/21: Faust
Filmstart: 25.03.2021
- Frankreich, 2021
- 220′
- Oper
- OT: Opéra national de Paris 2020/21: Faust
- Regie: Lorenzo Viotti
- Mit: Benjamin Bernheim, Ildar Abdrazakov, Florian Sempey, Christian Helmer, Ermonela Jaho, Michèle Losier, Sylvie Brunet-Grupposo
Online-Tickets sind ohne extra Gebühr. Bitte nehmen Sie Ihren Nase- und Mundschutz mit. An ihrem Sitzplatz können Sie die Maske abnehmen. Die Gastrotheken sind geöffnet. Wir freuen uns auf Sie!
Oper in fünf Akten
Charles Gounod (1859)
Live aus Opéra Bastille
Französisch mit deutschen Untertiteln
I want a treasure, which contains them all! I want youth! Frustrated by the futile quest for knowledge, the erudite old Faust sells his soul to the devil in exchange for eternal youth and the beautiful Marguerite... Reworking the legend which Goethe popularised, Gounod focuses on the love story and elevates the significance of Marguerite's fall and ultimate salvation. His decision to lighten the philosophical scope of the narrative allowed him to balance scenes where the supernatural called for something visually spectacular with a parallel microcosm governed by inner actions and feelings. Gounod's score is a tour de force of melodic invention whose vocal composition reveals the composer's skill at conveying sincere and immediate emotion. For his Paris Opera debut, German director Tobias Kratzer reflects on contemporary society's obsession for eternal youth. With its sophisticated scenography, his production oscillates between hyperrealism and magic, the world of today and the eerie atmosphere of German romanticism.
Charles Gounod (1859)
Live aus Opéra Bastille
Französisch mit deutschen Untertiteln
I want a treasure, which contains them all! I want youth! Frustrated by the futile quest for knowledge, the erudite old Faust sells his soul to the devil in exchange for eternal youth and the beautiful Marguerite... Reworking the legend which Goethe popularised, Gounod focuses on the love story and elevates the significance of Marguerite's fall and ultimate salvation. His decision to lighten the philosophical scope of the narrative allowed him to balance scenes where the supernatural called for something visually spectacular with a parallel microcosm governed by inner actions and feelings. Gounod's score is a tour de force of melodic invention whose vocal composition reveals the composer's skill at conveying sincere and immediate emotion. For his Paris Opera debut, German director Tobias Kratzer reflects on contemporary society's obsession for eternal youth. With its sophisticated scenography, his production oscillates between hyperrealism and magic, the world of today and the eerie atmosphere of German romanticism.
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